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exasperated-viewer-on-air:

Otto Muehl - Untitled (Blaubesen), 1988
oil on canvas
39.37 x 51.18 inches (100 x 130 cm)
45
491
likeafieldmouse:

Marlene Dumas
383
whitneymuseum:

We’re thrilled to announce a gift of seventy-five iconic photographs from Sondra Gilman Gonzalez-Falla and Celso Gonzalez-Falla.
Alfred Stieglitz (1864–1946), Equivalent, 1923. Gelatin silver print. Promised gift of Sondra Gilman Gonzalez‑Falla and Celso Gonzalez‑Falla to Whitney Museum of American Art, New York and The Gilman and Gonzalez‑Falla Arts Foundation T.2014.251. Alfred Stieglitz: © 2014 Georgia O’Keeffe Museum/Artists Rights Society (ARS), New York
129
transistoradio:

Adolph Gottlieb (1903-1974), Chrome Green (1972), screenprint in colors, on wove paper, 45.1 x 60.6 cm (image). Via Phillips.
78
699
waterinthemouth:

by ROBERT RAUSCHENBERG
18
429
terrysdiary:

Too Fast To Live Too Young To Die
1820
justanothermasterpiece:

Franz Kline.
140
wmagazine:

"To be relevant, you have to be an outsider.” - Joan Rivers
 Read our interview with the late queen of comedy from our forthcoming October issue. 
5791
"You know, they straightened out the Mississippi River in places, to make room for houses and livable acreage. Occasionally the river floods these places. “Floods” is the word they use, but in fact it is not flooding; it is remembering. Remembering where it used to be. All water has a perfect memory and is forever trying to get back to where it was. Writers are like that: remembering where we were, what valley we ran through, what the banks were like, the light that was there and the route back to our original place. It is emotional memory — what the nerves and the skin remember as well as how it appeared. And a rush of imagination if is our “flooding.”"
Toni Morrison, excerpt from “The Site of Memory,” What Moves at the Margin: Selected Nonfiction  (via commovente)
3256
49
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